Lives in the Balance

I would like to focus on my current attempts to redesign lorenwebster.net, which currently is simply a truncated copy of In a Dark Time that was accidentally set up when I transferred my site to a new ISP provider. Doing so, for me at least, entails learning how to use Macromedia’s Fireworks, Dreamweaver, and Flash because I’m not willing to simply patch together a new site using an outdated version of Adobe GoLive.

Truthfully, I’m looking forward to creating a number of new photo-essays using Flash, and I’m using the redesign of lorenwebster.net to force me to start learning skills I will need later.

I’ve also begun Robert Lax’s book of poems entitled Love Had a Compass, but I’m constantly being distracted by the latest stories coming out of Iraq, and an accompanying state of depression

Lately I’ve found myself listening more and more to old Jackson Browne records, particularly:

LIVES IN THE BALANCE

I’ve been waiting for something to happen
For a week or a month or a year
With the blood in the ink of the headlines
And the sound of the crowd in my ear
You might ask what it takes to remember
When you know that you’ve seen it before
Where a government lies to a people
And a country is drifting to war

There’s a shadow on the faces
Of the men who send the guns
To the wars that are fought in places
Where their business interest runs

On the radio talk shows and the T.V.
You hear one thing again and again
How the U.S.A. stands for freedom
And we come to the aid of a friend
But who are the ones that we call our friends–
These governments killing their own?
Or the people who finally can’t take any more
And they pick up a gun or a brick or a stone

And there are lives in the balance
There are people under fire
There are children at the cannons
And there is blood on the wire

There’s a shadow on the faces
Of the men who fan the flames
Of the wars that are fought in places
Where we can’t even say the names

They sell us the President the same way
They sell us our clothes and our cars
They sell us every thing from youth to religion
The same time they sell us our wars
I want to know who the men in the shadows are
I want to hear somebody asking them why
They can be counted on to tell us who our enemies are
But they’re never the ones to fight or to die

And there are lives in the balance
There are people under fire
There are children at the cannons
And there is blood on the wire

Do you think Jackson forsaw the Bush administration in 1986 when he wrote the lines “There’s a shadow on the faces/ Of the men who send the guns/ To the wars that are fought in places/ Where their business interest runs” ?

Do you think he foresaw the latest Israeli attempts to “disengage” from Gaza when writing “There are people under fire/ There are children at the cannons/ And there is blood on the wire.”

Worst of all is this dreadful sense of deja vu, this feeling this is just one more turn of the crushing wheel of life, despite our best efforts, none of this will ever change, the innocent, and not-so-innocent will continue to die while others continue to cash in on their misery.

Unexpected Beauty

I planned on spending a good part of my morning taking pictures of roses at the Rose Garden at Point Defiance. However, just as I was getting into the car, camera-in-hand, this beautiful black and white butterfly lit on the orange flowers next to the car door.

Forgetting the roses for the moment, I spent the next half hour trying to get a picture of this handsome beauty. This is probably the best picture I got, although I do have a slightly out-of-focus picture looking directly down on him. I decided that in order to get a perfect picture of him I would probably have to pin him down to a flower with a stick pin, but personally I prefer my nature on the wild side. It’s by far my favorite picture of the day, though the captive roses proved much more cooperative.

“Stones Scattered Here and There”

I finally finished Rosenfield’s Mynah Birds and Flying Rocks: Word and Image in the Art of Yosa Buson, today, and I’ll have to admit that the chapter on “Rock Motifs and Reductive Symbols,” despite the title, was probably my favorite chapter in the book because it came the closest to showing the relationship between Buson’s art and Buson’s haiku, the main reason I bought the book in the first place.

Buson’s scroll entitled “Stones Scattered Here and There” contains three famous poems, one of his own, one by Basho, and one by Saigyo, and as Rosenfield notes:

Buson’s ltsu Museum rock painting thus connects himself, Basho, and Su Shi; it is an eloquent example of East Asian cultural memory in action, of poets and artists building on admired works of the past-not through imitation but through highly expressive variations on the older works. Basho and Saigyo had described a pleasant, welcoming spot (crystal waters, the sheltering willow), but for Buson ” characteristically – the tree was leafless and the crystal waters had dried up, leaving only rocks in the stream bed. This stark interpretation may well have been Buson’s own, though it had also appeared in a medieval No drama about the Traveller’s Willow, which described the tree as withered, its branches desolate, and the stream bed dry. 23 Regardless, Buson had darkened what earlier poets had made light and gracious. For him, as for T. S. Eliot, there is “only rock and no water”-the epitome of desolation.

A similar somber tone appears in other of Buson’s poems about rocks, all set in winter:

Kogarashi ya
Iwa ni sakeyuku
Mizu no koe
BS 2641; BZ-1 1301

Kogarashi ya
Nogawa no ishi o
Form wataru
B5 2644; BL-1 1300

Ishi ni shi o
Dai shite suguru
Kareno kana
B5 2651; BZ-1

Freezing wind-
The sound of water
Splitting the rocks.

Freezing wind-
Stepping over
Stones in the wild river.

Writing a poem on a rock
And going on-
The barren field.

Originally, I was mostly interested in seeing the relationship between Buson’s pictures and his haiku, but it was interesting seeing the relationship between these three famous poets, and it is certainly a connection I would never have made without having it pointed out by Rosenfield.

Truthfully, though, if I had had more faith in the internet and had taken the time to research Buson’s art on-line I doubt that I would have purchased this book and, instead, would have focused on a better collection of Buson’s haiku, a book that I will have to purchase some time in the near future.

When I buy the work, I will try to relate these poems to a number of interesting Buson artworks I found on the web, all worth checking out on their own if you’re at all interested in Buson’s artwork:

Yuson: Chinese Historical Figures

Landscape with Solitary Figure

Yosa Buson and His Followers: Haiku & Painting, an extensive listing of links to both paintings and poems

Buffeted by the Winds of War

My walk through the rhododendron gardens today was spoiled by too much thinking.

Must be time to get these thoughts out:

Just When

just when
you think
things
must
get better,
can’t
get worse,
they do,

a once-proud
banner
buffeted
by these
winds of war.