“A foolish consistency

is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and tomorrow speak what tomorrow thinks in hard words again, though it contradict every thing you said today.”

At least, so would Emerson have us act, and, since this was one of my favorite quotations while teaching, it would seem only consistent to admit it is still one of the basic guiding principles of my life.

How, then, can I reconcile this idea with Jonathon Delacour’s recent statements: “That’s it: where my own interests lie. In other words, hardly anything to do with telling the literal truth; and everything to do with fashioning an authentic persona from bits of alibis and consistent lies.”

An adequate response demands, if possible, a clear definition of terms. For instance, what does Jonathon mean by “literal truth?” If he merely means he has little desire to merely relate events of his life, then it’s hard to disagree with the point. I doubt that even Emerson would disagree with Jonathon’s goal of “fashioning an authentic persona” if, by that, Jonathon means establishing a self that is true to what he believes.

Since I’m unclear exactly what Jonathon means by an “authentic persona,” it’s difficult to respond to the concept, but I’m more than willing to give him the benefit of the doubt here considering the quality of his blog and our virtual friendship. I like to believe that, like Emerson, he’s referring to a “higher” or “truer” self here. In other words, through his writing he is constructing a self that acts like the person he wants to be, like his higher self, rather than the true self that often lets us down in everyday actions.

It’s when I come to “bits of alibis” that I feel a real need to push back, though. None of us lives up to the person we want to be. It’s part of being human. None of us needs to excuse who we are or what we did. An image of infallibility is an unsustainable myth.

I have even more problems with “consistent lies,” though I find it difficult to know exactly what Jonathon means by the term. I know that both Jonathon and I are admirers of Shelley Powers, and it’s hard to find a better example of someone who has no truck with “consistent lies.” Shelley’s greatest strength is her willingness to speak her mind freely, and to change it just as freely the next day. You don’t have to wonder what Shelley is thinking; she lets you know loud and clear. Of course, she may let you know the next day that she’s changed her mind, if not completely, at least partially. It’s hard to imagine a more “authentic person” than Shelley. Of course, since I only know Shelley as a virtual friend, it may well be that this is merely her “authentic persona,” and not her true personality. Somehow I doubt it, though.

— revised Friday evening

The Story of Our Lives

Somehow Mark Strand’s enigmatic “The Story of Our Lives” suggests to me the idea that not only are we reading, or examining, the story of our lives, we are also writing it. It’s not enough to merely know what we’ve done. In a very real sense, we must also write ourselves into existence.

We are reading the story of our lives
as though we were in it,
as though we had written it.
This comes up again and again.
In one of the chapters
I lean back and push the book aside
because the book says
it is what I am doing.
I lean back and begin to write about the book.
I write that I wish to move beyond the book,
beyond my life into another life.
I put the pen down.
The book says: He put the pen down

and turned and watched her reading

the part about herself falling in love.

The book is more accurate than we can imagine.

The “book,” “the story of our lives,” seems to have a life of its own, determining what the narrator does and what he writes. Furthermore, the book seems self-limiting, almost as if it has predetermined the narrator’s life, for the book is “accurate” in a frightening way. Though, the author wants to move “beyond the book,” perhaps to move beyond the past, he seems unable to do so. The past binds us, just as it makes us possible.

The people in the poem want to believe there is more to life than what is written in the book, but when they disagree whether there is more to life they discover that it is written in the book that they disagreed:

This morning I woke and believed
there was no more to our lives
than the story of our lives.
When you disagreed, I pointed
to the place in the book where you disagreed.
You fell back to sleep and I began to read
those mysterious parts you used to guess at
while they were being written
and lose interest in after they became
part of the story.

Before we participate in events, they often seems appealing, even “mysterious,” but once we have experienced them they are dull and ordinary, drained of interest, though still part of who we are.

Only when seen from considerable distance, when half-forgotten, does the “book” regain interest:

This morning after you fell back to sleep
I began to turn pages early in the book:
it was like dreaming of childhood,
so much seemed to vanish,
so much seemed to come to life again.
I did not know what to do.
The book said: In those moments it was his book.
A bleak crown rested uneasily on his head.
He was the brief ruler of inner and outer discord,
anxious in his o
wn kingdom.

Apparently, because we have forgotten what it is to be a child, re-examining that part of the book becomes interesting again. What vanishes is the cynicism that most of us bring to our mature life. Seen from a distance, childhood seems a time of unfettered optimism.

Dreaming, like looking back at our childhood, is another way to transcend, or, at least escape, the “book:”

Before you woke
I read another part that described your absence
and told how you sleep to reverse
the progress of your life.
I was touched by my own loneliness as I read,
knowing that what I feel is often the crude
and unsuccessful form of a story
that may never be told.
I read and was moved by a desire to offer myself
to the house of your sleep.

Dreaming is an attempt to reclaim control of your life, to transcend the “story of your life,” to become more than the sum of your past. It doesn’t even have to be literal dreaming; personal longings, an “unsuccessful form of a story,” may also be a way of trying to be more than who you are.

As we turn the pages of the past, they illuminate what we think and what we have come to believe:

Each page turning is like a candle
moving through the mind.
Each moment is like a hopeless cause.
If only we could stop reading.
He never wanted to read another book

Unfortunately, merely looking at the past does not always inspire us; in fact, it is just as apt to create a sense of hopelessness. It is the future, the hope of better things to come that is most apt to inspire us.

Part of what is wrong with the book is that it only reveals what has happened in the past:

The book never discusses the causes of love.
It claims confusion is a necessary good.
It never explains. It only reveals.

A record of past events only reveals what happened; it doesn’t explain why they happened. By themselves, events do not even truly reveal who we are. Of course, knowing what happened is the first step to self-discovery.

It has gradually become obvious during the poem that the man and woman in the poem have gradually fallen out of love with each other:

We cannot bear to be alone.
The book goes on.
They became silent and did not know how to begin
the dialogue which was necessary.
It was words that created divisions in the first place,

that created loneliness.

They waited.

They would turn the pages, hoping

something would happen.

They would patch up their lives in secret:

each defeat forgiven because it could not be tested,

each pain rewarded because it was unreal.
They did nothin
g.

Though it is words that have caused the divisions between the two, only more words, words that have never been spoken, can bridge the gap that exists between them. Because they had not heard the words from the other that would overcome their differences, they had to “patch up their lives in secret.” Looking at the past, though, accomplishes nothing unless people are willing to do something as result of looking back.

Ironically, the people in the poem seem less real than the people in the book:

They sat beside each other on the couch.

They were the copies, the tired phantoms

of something they had been before.

The attitudes they took were jaded.

They stared into the book

and were horrified by their innocence,

their reluctance to give up.

They sat beside each other on the couch.

They were determined to accept the truth.

Whatever it was they would accept it.

The book would have to be written

and would have to be read.

They are the book and they are

nothing else.

The people in the poem are no longer really alive; they have allowed themselves to become mere shadows of what they had once been, “horrified” by their earlier “innocence,” ready to give up, “to accept the truth.” Where they had once been unwilling to accept defeat, they have now accepted the idea that they are merely their past, nothing more.

Thankfully, we do not have to be like these people. We do not have to accept the idea that we are nothing more than our past actions. We can also be our dreams. We do not have to be bound by our past, we can learn from it and emerge as stronger, better people, people closer to our dreams than to our past actions.

It’s NOT FAIR

Tax season is drawing to a painful close for me, with my back suffering from extended hours in front of a computer. At five on Friday, I could barely get up from my computer, and it seemed like I’d suffered a week setback in recovering from my herniated disc.

To make matters worse, there are several new controversies swirling around that I would love to dedicate some time and space to. Today while reading Jonathon Delacour’s excellent blog entry I was in total agreement with his argument until the last part where he equated the religious argument whether man is inherently good or evil with the political “left” and “right,” which I personally equate more with the capitalist-socialist spectrum.

For the first time today I heard an analyst compare our “swift” victory in Iraq to Israel’s Six-Day War, a hollow victory that resulted in the present stalemate in Palestine. It’s about time. It’s one of the few parallel cases that actually makes sense as a means of predicting future events in Iraq, though we might also want to consider what seems to be happening in Afghanistan today as a predictor of the future.

Then, I watched this week’s Bill Moyer’s NOW that I had recorded last night. His coverage of the Gun Industry’s efforts to get legislation passed to protect them from civil lawsuits along with Aschcroft’s attempts to make sure that information on the sale of guns was no longer publicly available strike me as nothing short of criminal. Surely there’s some irony in the Christian Right protecting the gun industry that needs to be explored in depth.

Unfortunately, this is all going to have to wait for a few days.

Watching Me Make a Fool of Myself

Just in case you thought that after watching too many war scenes on TV that I’d gone mushy, I’ll let you know that I’ve been reading Mark Strand Selected Poems, a healthy antidote to any sense of romanticism you might be harboring.

Strands’ poems are dark and mysterious. Like Bei Dao’s poems, they often remind me of The Surrealists, particularly in their dream-like, or nightmarish, qualities:

THE TUNNEL

A man has been standing
in front of my house
for days. I peek at him
from the living room
window and at night,
unable to sleep,
I shine my flashlight
down on the lawn.
He is always there.

After a while
I open the front door
just a crack and order
him out of my yard.
He narrows his eyes
and moans. I slam
the door and dash back
to the kitchen, then up
to the bedroom, then down.

I weep like a schoolgirl
and make obscene gestures
through the window. I
write large suicide notes
and place them so he
can read them easily.
I destroy the living
room furniture to prove
I own nothing of value.
When he seems unmoved
I decide to dig a tunnel
to a neighboring yard.
I seal the basement off
from the upstairs with
a brick wall. I dig hard
and in no time the tunnel
is done. Leaving my pick
and shovel below,

I come out in front of a house
and stand there too tired to
move or even speak, hoping
someone will help me.
I feel I’m being watched
and sometimes I hear
a man’s voice,
but nothing is done
and I have been waiting for days.

Sometimes when I write entries for this blog, I feel like there is someone “out there” waiting for me to make an inevitable mistake, someone who thinks I’m a “raging liberal.” Not that there isn’t also a part of me that sits back thinking that much of what I write is meaningless drivel. In fact, isn’t there always a part of us, a critical part, that always waits, watching the other part make a fool of itself by weeping over the casualties of war or by making obscene gestures at those who would march in parades or even at those who would kill innocent women and children trying to rid the world of evil?

Sometimes we would do almost anything to escape that “watcher,” even if it meant tunneling through the subconscious in an attempt to escape, in the end only to discover that we can never escape the “watcher” because, as Pogo used to say, “We have met the enemy and he is us.”

Too often in moments of great despair, we discover that both parts of ourself are frozen in time, incapable of solving the problems that face us, the hysterical part raging against the injustice of the world, the watcher “too tired to move or even speak,” only able to sit there watching the other driven crazy by fear.