Joyce’s “The Encounter”

Though I prefer Joyce’s short story “Evaline” to his story “An Encounter, ” I think “An Encounter” introduces a more dominant theme in his works, sexual dysfunction. It’s a strange story. If it wasn’t for his later works, it might even seem to be nothing more than one of those enigmatic moments that sticks in our brain for some unknown reason. It would certainly be easy to dismiss it if Joyce didn’t give the event more significance by contrasting it to “the restraining influence of the school.”

The narrator, a boy of unspecified age, is just beginning to be sexually attracted to women but has not yet had a girl friend. The “encounter” in the story is preceded by a discussion of events that take place at school.

The adventures related in the literature of the Wild West were remote from my nature but, at least, they opened doors of escape. I liked better some American detective stories which were traversed from time to time by unkempt fierce and beautiful girls. Though there was nothing wrong in these stories and though their intention was sometimes literary they were circulated secretly at school.

There’s so much going on in this “simple” paragraph that it’s hard to know what to see as significant. “Doors of escape” implies that school does more than impose self-discipline; it imprisons its students. I’m not sure what is meant by “unkempt fierce and beautiful girls,” but I’m fairly sure it’s not the Madonna-version of women promoted by Catholic schools. Then, of course, there’s the implication in the phrase “circulated secretly” of the appeal of the forbidden.

Instead of the reprimand convincing the narrator that the school’s view of women is the correct one, it seems to convince him of the need to escape their influence:

This rebuke during the sober hours of school paled much of the glory of the Wild West for me and the confused puffy face of Leo Dillon awakened one of my consciences. But when the restraining influence of the school was at a distance I began to hunger again for wild sensations, for the escape which those chronicles of disorder alone seemed to offer me. The mimic warfare of the evening became at last as wearisome to me as the routine of school in the morning because I wanted real adventures to happen to myself. But real adventures, I reflected, do not happen to people who remain at home: they must be sought abroad.

I’m pretty sure it wasn’t the intention of the Catholic teachers to create a “hunger again for wild sensations” and to convince the boy that “real adventures” must be “sought abroad.”

I don’t think it’s accidental that Joyce preceded his remembrance of this encounter with these incidents at school if he didn’t see a connection between them. Of course, skipping school leads directly to his encounter with the strange old man, but the old man’s story contains the same kind of schizophrenic split that the boy feels between his reading and its forbidden nature.

At first the old man appears benevolent enough, simply interested in the two boys who are playing hooky and in engaging them in conversation. He seems to favor the narrator, drawn by his bookish interests, referring to literary works I’m only vaguely familiar with. Then, however, he begins discussing “little girls” and how appealing they are.

Every boy, he said, has a little sweetheart.

His attitude on this point struck me as strangely liberal in a man of his age. In my heart I thought that what he said about boys and sweethearts was reasonable. But I disliked the words in his mouth and I wondered why he shivered once or twice as if he feared something or felt a sudden chill. As he proceeded I noticed that his accent was good. He began to speak to us about girls, saying what nice soft hair they had and how soft their hands were and how all girls were not so good as they seemed to be if one only knew. There was nothing he liked, he said, so much as looking at a nice young girl, at her nice white hands and her beautiful soft hair. He gave me the impression that he was repeating something which he had learned by heart or that, magnetised by some words of his own speech, his mind was slowly circling round and round in the same orbit. At times he spoke as if he were simply alluding to some fact that everybody knew, and at times he lowered his voice and spoke mysteriously as if he were telling us something secret which he did not wish others to overhear. He repeated his phrases over and over again, varying them and surrounding them with his monotonous voice. I continued to gaze towards the foot of the slope, listening to him.

Though it seems a little strange that an old man would suddenly begin talking about little girls with young boys, there’s nothing particularly disturbing about the man’s views at first. It’s not the kind of talk the boys would have heard from their teachers, certainly, but it seems like common sense. Little boys at a certain age normally find little girls soft skin and beautiful hair attractive. Old men, however, should not find them magnetizing, and certainly not obsessively so.

The encounter takes a turn for the worse:

After a long while his monologue paused. He stood up slowly, saying that he had to leave us for a minute or so, a few minutes, and, without changing the direction of my gaze, I saw him walking slow | away from us towards the near end of the field. We remained silent when he had gone.

After a silence of a few minutes I heard Mahony exclaim:

—I say! Look what he’s doing!

As I neither answered nor raised my eyes Mahony exclaimed again:

I say … He’s a queer old josser!

The reader can never be sure “what he’s doing,” but it doesn’t take too much imagination to guess, especially when the conversation takes a much darker turn right after the old josser returns.

He began to speak on the subject of chastising boys. His mind, as if magnetised again by his speech, seemed to circle slowly round and round its new centre. He said that when boys were that kind they ought to be whipped and well whipped. When a boy was rough and unruly there was nothing would do him any good but a good sound whipping. A slap on the hand or a box on the ear was no good: what he wanted was to get a nice warm whipping. I was surprised at this sentiment and involuntarily glanced up at his face. As I did so I met the gaze of a pair of bottle-green eyes peering at me from under a twitching forehead. I turned my eyes away again. The man continued his monologue. He seemed to have forgotten his recent liberalism. He said that if ever he found a boy talking to girls or having a girl for a sweetheart he would whip him and whip him; and that would teach him not to be talking to girls. And if a boy had a girl for a sweetheart and told lies about it then he would give him such a whipping as no boy ever got in this world. He said that there was nothing in this world he would like so well as that. He described to me how he would whip such a boy as if he were unfolding some elaborate mystery. He would love that, he said, better than anything in this world; and his voice, as he led me monotonously through the mystery, grew almost affectionate and seemed to plead with me that I should understand him. I waited till his monologue paused again. Then I stood up abruptly. Lest I should betray my agitation I delayed a few moments pretending to fix my shoe properly and then, saying that I was obliged to go, I bade him good-day. I went up the slope calmly but my heart was beating quickly with fear that he would seize me by the ankles. When I reached the top of the slope I turned round and, without looking at him, called loudly across the field: —Murphy!

One can only conjecture that the old josser had been punished precisely this way for having had a secret girlfriend or lying to an adult about his feelings for a girl. It sounds remarkably like the kind of canings that used to happen in Catholic schools, though it’s also entirely possible it was the kind of punishment he received from a parent.

How that kind of punishment has become something the old josser “loved … better than anything in this world” is beyond my understanding, though I’m sure Freud must have offered some theories on it.

Seems to me the narrator had a “real adventure” and didn’t have to seek it abroad.

Joyce’s “Eveline

Having just finished Joyce’s Portrait of an Artist as a Young Man and Ulysses, I was pleasantly surprised by the stories in his first published work The Dubliners. In hindsight (the best kind of sight, obviously) I wish I had started with The Dubliners, since many, if not most, of the themes found in Ulysses can be found in these stories, and, unlike Ulysses, the stories are crystal clear, their starkness reminding me of Hemingway’s stories like “A Clean, Well Lighted Place” which appeared a few years later or even some of the poems of Edwin Arlington Robinson, like the famous “Richard Cory.”

The poetic, four-and-a half-page “Eveline” focuses on the kind of destructive home life that Joyce and his siblings apparently suffered. In this case, though, the story focuses on a daughter’s decision on whether or not to flee the family and save herself while leaving her younger siblings behind.

Most readers would quickly agree Eveline has every justification for leaving.

But in her new home, in a distant unknown country, it would not be like that. Then she would be married—she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father’s violence. She knew it was that that had given her the palpitations. When they were growing up he had never gone for her like he used to go for Harry and Ernest, because she was a girl; but latterly he had begun to threaten her and say what he would do to her only for her dead mother’s sake. And now she had nobody to protect her. Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages—seven shillings —and Harry always sent up what he could but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn’t going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad of a Saturday night. In the end he would give her the money and ask her had she any intention of buying Sunday’s dinner. Then she had to rush out as quickly as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions.

As an ex-caseworker and teacher this kind of abusive father is all too familiar. In the first few pages, Joyce has the reader convinced Eveline is going to run away to save herself, and justifiably so though there’s a small hint she is having second thoughts.

She had hard work to keep the house together and to see that the two young children who had been left to her charge went to school regularly and got their meals regularly. It was hard work—a hard life—but now that she was about to leave it she did not find it a wholly undesirable life.

Second thoughts are understandably a part of making such a drastic decision, but the reader wonders in what way is the life she has just described not a “wholly undesirable life”. It’s one thing to sacrifice your happiness for the sake of children left in your care; it’s something quite different to see that decision as anything but the self-sacrifice it is.

This moment of self-doubt is quickly followed by the realization that if she stays her life will be sacrificed, just as her mother’s life was:

As she mused the pitiful vision of her mother’s life laid its spell on the very quick of her being—that life of commonplace sacrifices closing in final craziness.
….

She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy?

Even in this moment of clarity, though, there’s the suggestion of doubt in the phrase “perhaps love, too.”? Could you really justify running away to a foreign country with a man you didn’t love?

None of these doubts, though, quite prepare the reader for the ending of the story. At the station as the two are about to elope, Eveline suddenly pulls away as her lover is pushed ahead with the rush of he crowd:

No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish!

—Eveline! Evvy!

He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.

Haunting eyes. Not the eyes of someone who has consciously decided to save her younger brothers and sisters. The eyes of someone totally defeated, unable to love or even to regret the sacrifices we sometimes demand of ourselves.

Considering most of Joyce’s works are considered biographical, it’s hard not to wonder if he didn’t feel guilty at times for leaving his younger brothers and sisters behind when he fled to Europe with his wife, knowing at the same time that failing to leave would have made his life unbearable.

Walking Mt. Rainier

I don’t know anyone who lives in Western Washington who doesn’t love the sight of Mt. Rainier. You always enjoy seeing the mountain, even in your car. You get out of your car to experience the subtle beauty of wildflowers that carpet the mountainside as you climb up beyond the visitor’s center.

wildflowers

On the way down you stroll through fields of purple asters (though the climb UP is anything but a stroll 🙂

field of wild asters

You walk wayside trails to fully experience waterfalls crossed unnoticed on the highway.

waterfall on Mt. Rainier

You hike mile-long trails to discover creeks plunging down the mountainside, waterfalls hidden by old-growth forests.

Carter Falls

If you ask someone if he knows how far the falls is, you may even meet a Belgium-born nuclear scientist with a GPS that can tell you it’s precisely 70 meters ahead.

hiker on trail

If you hike very long, you’re also sure to meet curious local residents,

Gray Jay

that will land if you hold out your hand to them,

a bird in hand

even without food to offer.

I climb the mountain to find my own little piece of heaven here on earth.

Mt. Rainier

Leslie had a day off in the middle of last week and the sun was shining, so we decided to drive to Mount Rainier for the day. Looking back at some of the shots I was amazed at how different Mount Rainier looks from different angles, even when they are all taken from the southern side of the mountain.

For instance, here’s a shot from the Nisqually River, showing how wide the river sometimes gets during Spring flooding.

Rainier from Nisqually River

There are many pull-outs on the way to Paradise where you can get long shots of the mountain.

Mt. Rainier

This shot from Alta Vista above the visitor’s center shows the mountain rising above us,

Mt. Rainier

but when we climbed to Panorama Point, 6800 feet, the mountain didn’t seem quite as high, though my huffing and puffing indicated otherwise.

Rainier and Nisqually Glacier

The Nisqually Glacier trailing to the south somehow made the mountain seem less high than it really was.

All you need to do to re-establish how high you really are is to turn around, look to the south

Looking South from Paradise

and realize that even at this height you’re higher than almost all the mountains in the Cascades

Coming off the mountain, looking down at the Nisqually River where you began your climb brings the day full circle.

Nisqually River in the Distance