Starlings and Mallards

Some of the photos I took at Belfair last week reminded me why I’m so fond of photography — pictures remind me how beautiful even the most common things are.

Starlings are an invasive species here in America, and are often killed in the thousands in attempts to keep them from displacing native species. So, it’s far to easy to forget what a beautiful bird they are in breeding plumage.

Starling in Breeding Colors

If I’d realized this was a Starling when I pointed my camera at it, I probably wouldn’t have taken its picture at all.

About the only thing Mallards and Starlings have in common is that they are so common. So common we hardly notice them,

Mallard Drake

which is really a shame because when in breeding colors the yellow beak and shimmering green head are startling beautiful.

Birding Belfair

The weather around seems to be trying to make up for our late summer, though it isn’t helping the tomatoes, which perished in frost several weeks ago. Despite forecasts and despite the fact that I need to get some things done around the house and in the yard, I spent most of the last week out taking photos.

After visiting Nisqually for the first time in a while Monday, I went back to Belfair on Tuesday. I was rewarded by seeing John and by a few shots worth showing. I like this shot of a wren whose singing couldn’t be ignored.

Marsh Wren

I also like this shot of a Marsh Hawk that flew ridiculously close to me, so quickly that I wasn’t able to get a shot until he was quite far away.

Marsh Hawk Flyby

It was also nice to see the Great Blue Herons back, oblivious to photographers and apparently everything else.

Great Blue Heron on Fence Rail

Good thing this one seemed to be wearing his winter coat because the winter cold finally seems to be settling in.

Too Much Sunshine?

As much as I love sunshine and appreciate its many advantages in taking pictures, it can also be a real headache, particularly in capturing whites. This shot of Black-Bellied Plovers in non-breeding colors illustrates the problem

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Plovers at Nisqually

There was not enough color left in the water to pull out the blues. Though digital photography is almost miraculous in its ability to pull colors our of shadows, and CRW allows you to recover slight overexposure, it’s not uncommon to blow all the colors out in bright areas, one of the reasons I often under exposure a full step.

The problem is increased when you’re trying to photography white birds in flight like this Great Egret:

Great Egret in Flight

Shooting at 1/1250 second helps to freeze the motion, but it almost insures that your initial exposure, before adjustments, will look like a white silhouette with few feathers showing. I’m not sure this really looks as white as it does in life, but it’s also impossible to see the feathers the way I could.

I was forced to make even more of a trade-off in this shot

Great Egret Landing

because it seems to me that the feathers are the most important feature of the shot. In reality, though, there was no dingy gray in the wings.

Like most good things, sunshine brings it’s own costs, and don’t even get me started on trying to take a good group shot of a soccer team on a sunny day. I’ll take a cloud-covered day every time.

Nisqually in Sunshine

Monday’s trip to Nisqually National Wildlife Refuge outing made it perfectly clear how sunshine, bright sunshine, makes for superior photographs, no matter how good your photographic equipment is or how well you can manipulate photographs in in Adobe Photoshop.

Readers unfamiliar with Pacific Northwest weather might assume that we have more sunshine than we really do if they were to judge from my photographs. Truthfully, too often I think I’ve make a picture look brighter than I really saw it because my digital camera can see color where I cannot see it with the naked eye.

Sunshine, however, provides reflections and reveals fine details that you can never — at least I can never — duplicate, like

Green-Winged Teal

the ripples in the water or the multiple reflections of this Green-winged Teal.

Sunshine also makes it possible to capture details from far away subjects much better than you can under low light. This Belted Kingfisher was actually a considerable distance away,

Belted Kingfisher

but had enough detail that I can still use this small portion of the shot enlarged to its fullest extent. (Nor does it hurt to have brilliant Autumn foliage on the far bank.)

There are so many things going on in this shot of a common Yellowlegs

Yellowlegs

that I wouldn’t have a clue how to replicate it with Photoshop. Those circles within circles make the photo for me, and it looks even more impressive when you can see it full screen, uncropped.

Bright sunshine also makes it possible to use faster shutter speeds so that you can catch your subjects mid-flight as they land or take-off.

Yellowlegs in Flight

I could probably make an argument that the good feelings engendered by the sunshine have a positive effect on my photographs

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