Although it was “bright” while I was in Santa Rosa, it was never sunny. It was actually the perfect light for portraits, but less than ideal for action shots. As it turned out, though, it was nearly perfect light for at least two of my subjects.
As I’ve complained before, it’s really hard to capture both the subtle whites and blacks of male Bufflehead. 95% of the time either the whites or the blacks get totally washed out, and you end up with a silhouette. This is probably the best shot I’ve ever gotten of a male Bufflehead, with details in both the blacks and the whites,
though I’ll have to admit that I had to tone down the highlights further than seemed realistic to get the details. In real life, the white seems brighter than this and yet, somehow, manages to maintain details.
There was another black and white duck that I have also struggled to capture in photos, a male Common Merganser.
This guy was actually standing in fairly heavy shade, but it’s one of the few “closeups” I’ve ever managed to get of one out of the water so I like it quite a lot. As a result, the blacks were a little to dark to draw details from and the whites also lost details trying to correct the blacks.
Here’s a shot of a male Common Merganser in brighter light.
At this angle it’s clear that the head really isn’t solid black as it appeared in the previous shot, but is really a very dark green that shimmers in the right light. The trade-off, and there invariably seems to be one, is that there is a loss of detail in the white areas.
In an ideal world, a male Common Merganser would have stood upright and flapped its wing like this female did, but I long ago accepted the fact that I don’t live in an ideal world and was grateful that this female Common Merganser provided a little action for the day.
Of course, since it was slightly overcast the shutter speed wasn’t quite fast enough to prevent blur in the wings, but that’s okay to me because they actually appeared blurry when I saw them beating, too.
Of course, these shots would benefit from HDR, the method I use almost automatically on scenic shots nowadays, but there’s no way to combine three shots at different apertures when the subject is in motion. RAW format is the best you can do at capturing what the eye really sees.