Nisqually in Sunshine

Monday’s trip to Nisqually National Wildlife Refuge outing made it perfectly clear how sunshine, bright sunshine, makes for superior photographs, no matter how good your photographic equipment is or how well you can manipulate photographs in in Adobe Photoshop.

Readers unfamiliar with Pacific Northwest weather might assume that we have more sunshine than we really do if they were to judge from my photographs. Truthfully, too often I think I’ve make a picture look brighter than I really saw it because my digital camera can see color where I cannot see it with the naked eye.

Sunshine, however, provides reflections and reveals fine details that you can never — at least I can never — duplicate, like

Green-Winged Teal

the ripples in the water or the multiple reflections of this Green-winged Teal.

Sunshine also makes it possible to capture details from far away subjects much better than you can under low light. This Belted Kingfisher was actually a considerable distance away,

Belted Kingfisher

but had enough detail that I can still use this small portion of the shot enlarged to its fullest extent. (Nor does it hurt to have brilliant Autumn foliage on the far bank.)

There are so many things going on in this shot of a common Yellowlegs

Yellowlegs

that I wouldn’t have a clue how to replicate it with Photoshop. Those circles within circles make the photo for me, and it looks even more impressive when you can see it full screen, uncropped.

Bright sunshine also makes it possible to use faster shutter speeds so that you can catch your subjects mid-flight as they land or take-off.

Yellowlegs in Flight

I could probably make an argument that the good feelings engendered by the sunshine have a positive effect on my photographs

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5 thoughts on “Nisqually in Sunshine

  1. My favorite here is the common Yellowlegs. Pure poetry.

    Interesting what you wrote about sunlight and photography. The best of my black and white photographs require bright sunlight, too.

    On the other hand, the best light for photographing my art work is bright grey morning overcast light coming from the east on my porch. The colors bleach out in bright sunlight and glow on a grey morning.

    • Careful, am, you’re stealing tomorrow’s “lesson.”

      Portraits really demand subdued light, not harsh light and squinted eyes. And white objects don’t fare well in strong sunlight, either.

  2. Having been to Vancouver several times and always encountered alot of wet weather Loren, I do know that your weather can be very contrary. However, i think the quality of light you get is second to none and this shows in your photographs

What do you think?